(Des)esperar

[Paulo Dantas - CASAXV]

Tip of one galera daqui of Brasilia, galera is very good and valley for being cited by me
The central subject of the spectacle was developed from the corporal and imagética understanding of what it would be, scenically, the wait state. Three aspects had been studied: not the feminine perception of now, expectations and the action (or not-action) that it is present in the act to wait. (DES) to wait has as base the autonomy of the creative interpreter in the conception of the spectacle. Leaving of corporal exercises, personal depositions and of the improvisations made in assay room, the text was constructed daily by the actresses, who lead, during the part, a relation of interdependence between four women who if find in the same condition: the wait. The part is faced as an improvisation. A script, used was written to summarize the conflict and to fix the scene games. From this, the actresses, in scene, have the freedom to create the ways that will go to follow to count this estória. Thus, to each presentation, if she constructs - in the act of the scene - action, relation and text. The scene is an empty space. The objects, places, personages are reverse speed-meanings from the actions of the actresses, the illumination and the sonorous track. For the assembly of the spectacle (DES) to wait, the group counted on great contributions of the following artists: Felícia Johansson, Rita de Almeida Castro, Sônia Paiva, Adriana Lodi, Larissa Sarmento and Savina João. Place: Theater of Cultural Center SESI of Taguatinga. Address: Taguatinga - DF Telephone of the Place: --- Of: 29/06/2009 the 01/07/2009 Ingressions: Frank entrance Point of Sales: Frank entrance